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DEFENDERS OF THE
AXE #2
an exploration of local guitar
sounds
Held August 1st
2006 at: Loop Bar. 23 Meyers Place, Melbourne.
http://www.looponline.com.au
Photos & live audio captured by Zac Keiller. |
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Winterville: delivered the
goods with his distinct use of the Fender Bass VI baritone guitar.
Mixed with field recordings, loops & bow, the mood was sparse, only
punctuated by the thick Morricone'ish notes emanating from the
baritone. His set was not able to be recorded, but check out samples
of his work here:
http://www.myspace.com/wintervillemusic |
Barnaby
Oliver: is a British guitarist
now living in Melbourne. Responsible for such concepts as the Wall
of E Electric guitar Ensemble featuring 17 players all tuned to the
chord of E. His set this evening consisted of close-contact guitar
manipulation with no effects, utilizing beating, bending, feed back,
detuned distorted drones & other forms of axe abuse.
SAMPLE
01 -
SAMPLE 02 |
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| Seth
Rees: is an NZ
guitarist/producer living in Melbourne. Reknowned for his unique &
sonic aesthetic with a guitar. Seth is able to achieve a rare
mixture of atmospheres without losing the real sound of the guitar
itself. Seth relies on technique, not just effects, & this was
fairly evident once he began flailing his guitar on the floor. It
looked funny, but it worked!
SAMPLE 01
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SAMPLE
02 |
Chris
Smith: has been credited
as many things since the early 90s. One of these being one of the
first solo atmospheric drone players in Melbourne. How much of this
is certain is not known. Circling the floor like a caged animal, his
set felt closer to me like blues guitar than the wall of sound he's
been known for. Very sparse, but mournful notes & pluckings. Great
use of sustained notes & silence.
SAMPLE |
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